Marketing Strategy and Plan for Review - MyAssignmenthelp.com

Question: Talk about theMarketing Strategy and PlanforGeneral Review. Answer: General Review of the Attached Video The gave video comprehends the significance of knowing our general surroundings. This is a result of the way that it helps massively in drawing nearer to the needful individuals and in any event, planning the showcasing plan in a proficient and increasingly practical manner to the focused on assets. The video talk about the individual predispositions, which is hampering the general public around us (Schopenhauer, 2012). The individual inclination is likewise includes obsolete realities, which is a lot of obvious in the scholarly library. The teachers and the frameworks have scarcely irritated for getting any change the course books (Tyner, 2014). By the by, the world is a quickly evolving place, which accentuate on refreshed training design. News predisposition is another point, which just knows to making thrilling headings. It isn't focussed on authentic things; it is fairly centered around business esteems, which is in direct extent to the thrilling features. This is only supportin g the current numbness towards the true things (McCloskey, 2016). Individuals have become uninformed on the grounds that they are formed into such structures. The video additionally talk about the ways, which assists association with growing comprehensively. These ways incorporate however are not constrained to, for example, atmosphere, human asset, fund and so forth. It additionally talks about certain misguided judgments, which have colossally frequented the cerebrums of current individuals. Following are a portion of the misinterpretations (Schopenhauer, 2012): Everything is deteriorating Hole between the rich or poor is upgrading Nations need to get wealthy so as to achieve the social improvement, for example, young ladies concentrating in schools or working in associations Sharks are the deadliest animals The video portions additionally bolster the mounds rule to change the manner in which individuals think about certain misguided judgments. The protuberances decide improves to comprehend that more is improving. It likewise expresses that the hole between the rich or poor is improving; in any case, it altogether relies upon how individuals think about their turn of events. It further expresses that socialization is the main thing, which ought to occur as this brings forth the hoisting economy of the nations. At long last, the standard likewise says that individuals should thing that Shark murders just not many. These are a portion of the positive perspectives and comprehending the confusions (Tyner, 2014). By and by, this turns into a more grounded individual or a more grounded country. In any case, the video is likewise incredibly supportive for the business reason as it cause individuals to comprehend the significance of thinking about the fast evolving world. In the year 1975, the Western nations, for example, the North America and the Europe were getting a charge out of the most elevated number of customer development. Be that as it may, the diagram is evolving quickly. The GDP development per capita consequently demonstrates that the not so distant future would observer the mastery of some other creating nations, for example, China, Singapore and India (Schopenhauer, 2012). In what manner can the Content Help Enter the Indian Market The substance of the video is very useful for investigating a likely development of the nation sooner rather than later. A portion of the creating nations have been determined to have biggest quantities of GDP development per capita. These nations incorporate however are not restricted to, for example, China, India and Singapore (Brewer Porter, 2013). The video helps think emphatically towards the fulfillment of objective. Additionally, it likewise comprehends that the not so distant future would observer the control of some other creating nations and they would have similarly biggest number of customers. This is a direct result of such reasons that the vast majority of the large global organizations are going towards these profoundly creating nations (Morgan, 2012). Organizations, for example, Walmart and Tesco have headed towards China. McDonalds and KFC have headed towards the vast majority of these nations, for example, India, China, and Singapore and so on. The substance of the video helps through positive deduction just as reasonableness of the advanced business. The realities sheet about the changing image of economy is separated from everyone else accommodating in understanding the potential market; be that as it may, the estimate made in this video consequently adds esteems to the current realities (Chanlat, Davel Dupuis, 2013). Promoting directors in various remote organizations can use the substance of the video for going into the Indian market. The video content makes a gauge that in the following 20 years, creating nations like India would have most elevated number of shoppers. In any case, various organizations incline toward potential market and as indicated by the video, the remainder of nations would defeat the western nations, for example, the North America and the Europe. Curiously, the video additionally gauge a reality that in the following 20 years, the rest nations would have most elevated quantities of rich individuals in it. In addition , a profoundly raised economy standard and the augmenting number of purchasers are situating the creating nations on top openings of most loved business zones (Morgan, 2012). References Brewer, J., Porter, R. (2013).Consumption and the World of Goods. Routledge. Chanlat, J. F., Davel, E., Dupuis, J. P. (2013).Cross-social administration: culture and the executives over the world. Routledge. McCloskey, D. N. (2016).Bourgeois fairness: How thoughts, not capital or foundations, advanced the world. College of Chicago Press. Morgan, M. S. (2012).The world in the model: How financial specialists work and think. Cambridge University Press. Schopenhauer, A. (2012).The world as will and representation(Vol. 1). Messenger Corporation. Tyner, K. (2014).Literacy in an advanced world: Teaching and learning in the time of data. Routledge.

The Significance Of Outer Space Tourism Marketing Essay

The Significance Of Outer Space Tourism Marketing Essay Space the travel industry isn't such a clever thought, all things considered. In 1954 Thomas Cook of Great Britain offered a Moon Register. Potential space vacationers could buy alternatives on the most punctual accessible business lunar visit, and more than one thousand individuals joined, in spite of the fact that Cook supposedly did no publicizing (Eilingsfeld and Abitzsch, Space Tourism, 1993, 1). In 1968, after the movie 2001: A Space Odyssey energized the open creative mind about space, aircrafts, for example, Pan American (Pan Am) and Trans World Airline (TWA) started taking bookings for outings to the moon. An immaterial $5 got you a spot on the pausing list (Anderson, Space Tourists, 2005, 11). The main space visitors to date were Dennis Tito in 2001 and Mark Shuttleworth in 2002. In 2003, Russian space authorities and representatives at Space Adventures reported designs to send four travelers to the International Space Station on board Soyuz missions by 2007 (Anderson, Space Tourists, 2005, 15) Heading out to space isn't actually a walk around the recreation center, yet it is not, at this point an excursion restricted to the creative mind, either. Learned educators are prepared and ready to help, propelled test systems are available, spaceports flourish, and new shuttle are making the outing simpler and more agreeable than before {Space Tourists, 12) Close term projections for the rise of a feasible space the travel industry are extremely reassuring, fully trusted. Close term projections for the rise of a feasible space the travel industry are extremely reassuring, fully trusted. Virgin Galactic has bought five rocket for $120 million from space pioneer Burt Rutan, and hopes to start tasks in 2008. Virgin Galactic sources guarantee that 38,000 individuals have paid stores towards the $120,000 ticket, and that ninety travelers have come up with all required funds ahead of time (Radliffe, The News, 2006, 3). As per another report, it expects to in the end dispatch 10,000 travelers into space each Year (Webb, Spaceports Next, 2006, Al). By 2020 there may be 430 such tlights every year, as indicated by one examination, making $550 million to one billion dollars in nearby income and 4,000 occupations. This gauge avoids the work of 2,500 development laborers creating about $350 million in nearby spending during the structure of the spaceport (Webb, Spaceports Next, 2006, A2). Collins et. al (1995) asserted that if costs per individual were in the $10,000-20,000 territory, roughly 100 million individuals in Japan, the U. S. what's more, Europe would be willing space voyagers (Demand for, 3). The Futron Corporation (2002) investigation. Space Tourism Market Study, concluded that by 2021, there couid be 15,000 space visitors every year, resuiting in $700 million in income (2). A huge number of private residents in the United States need to go into space, undeniably more if the worldwide market is tended to, Aldrin and Jones (2002) recommended (Changing the, In Hudgins, Space, 180). Spencer and Rugg (2004) anticipated {Space Tourism, 56). Edward L. Hudgins, one of the most regarded people engaged with space action, inferred that Space the travel industry to be sure is by all accounts a potential executioner application that will offer chances and motivations to the private part to grow minimal effort access to space and places in circle for private travelers to go (Space, 2002, xxi). It has been reasoned that the primary boundary to space the travel industry request is the value point, while the significant hindrance to gracefully is fire up cost. With current innovation and frameworks, space flight is unreasonably costly for the vast majority. Be that as it may, satisfactorily promoted space the travel industry firms could start activities slowly, and after some time extend tasks to where per-individual costs would be increasingly reasonable. The way to satisfactory capitalization likely could be financial specialist relations, since existing space the travel industry firms have thought that it was hard to draw in adequate capital for fire up needs Another master examination offered a fairly desolate end, Unfortunately, the present tight payload showcase and the excess of existing dispatch vehicles implies that any space dispatch new beginning up is bound to experience genuine trouble in raising funding One thing is sure. The eventual fate of the space the travel industry may rely upon advertising, including Promotion, Marketing Public Relations, Lobbying, Investor Relations, Coalition-Building, Crisis Communication and Public Information. A ZOOM WITH A VIEW Space the travel industry might be closer than you might suspect By David Wade TEN YEARS AGO, SPACE TOURISM was the stuff of imagination. Not any longer. Effectively three vacationers have paid $20m (Â £12m) each to go through seven days on board the Global Space Station (ISS), with a lot all the more standing by. You dont have an extra $20m? Regardless. Other, all the more humbly evaluated alternatives are presently being developed, however youll need to join the line of 34,000 other would-be space explorers. Lets expect that cash is no article with regards to booking your own stumble into space. Okay truly need to simply visit the ISS? All things considered, three voyagers have just outsmarted you. What about an excursion that is genuinely one of a kind? The Russian Space Agency and the Space Adventures travel organization as of late reported that they could mastermind a visitor flight which will circumnavigate the Moon in transit to the ISS. The cost for the two seats accessible on this matchless journey is $100m (Â £60m) each! Better beginning sparing at this point. WINNING THE PRIZE On 4 October 2004, the 47th commemoration of the dispatch of Sputnik 1, SpaceShipOne was discharged at a stature of 15km from its White Knight bearer airplane. 76,000 Newtons of push, applied for 84s, at that point impelled SpaceShipOne to a speed in overabundance of Mach 3. At an elevation of around 80km, the specialties engine cut out, leaving it to proceed, without power, to the zenith of its direction a tallness of over 112km. To the bewilderment of a watching world, the X-Prize rivalry had been won. The standards of the X-Prize rivalry were demanding in the extraordinary specifying, among different requests, two 100km-high trips to be finished inside a fortnight, a vehicle equipped for conveying three individuals (or possibly weight adequate to speak to three individuals), and close to 10% of the dry mass of the vehicle to be supplanted between flights. Twenty-six groups enrolled an underlying enthusiasm for vieing for the prize, with many proposing very stunning structures, inc luding plans to alter warrior airplane and the utilization of vertical take-off and landing. Interestingly Burt Rutan, the creator of SpaceShipOne, upheld by his Scaled Composites group, settled on a methodology that was both rich and straightforward. Rutans first choice was to go for an airlaunch (from the White Knight bearer airplane) saving money on fuel and getting rid of the requirement for a platform. His second essential structure choice was to utilize a half breed rocket engine. THE MASS MARKET The goal of the X-Prize had been to launch space the travel industry following the case of early flight prizes. The business despite everything has far to go, however its on its way. Virgin Galactic, divulged by Sir Richard Branson, is an assistance organization that will work an armada of SpaceShipTwo vehicles, each conveying five passage paying travelers. The organization is now standing out, in spite of the primary flight not being planned until 2008. Up until this point, more than 34,000 individuals have enlisted an enthusiasm for the $200,000 (Â £120,000) flights, and over $10m (Â £6m) of hard money has been paid as stores. Luckily, the possibilities for space the travel industry don't rely upon anybody winning the ASP. The trip of SpaceShipOne and the foundation of Virgin Galactic have made us fully aware of the conceivable outcomes of business human spaceflight. Buyer request is currently expected to begin to drive mechanical advancement as much as rivalries, similarly as it did in the flying business. The space the travel industry business is currently immovably into first rigging, and will simply continue gathering force. David Wade is a Lloyds satellite financier furthermore, pro space author Doors TO THE STARS universes first private business spaceport in New Mexico Spaceport America will serve customers of Virgin Galactic, who have marked a 20-year rent on the structure and have been associated with the plan and development stage. Its space traveler travelers will pay $200,000 a ticket for a threeday occasion, coming full circle in a two-hour trip to suborbital space, arriving at 110km over the surface at the apogeeTo date, more than 450 stores have been gotten from individuals matured from 18 to 80 or more from everywhere throughout the globe. All have passed medicals; many are rich, however not all; and they run from single people to entire families. Of Virgins initial 100 clients the Founder gathering 81 have just partaken in axis preparing that duplicates the G-powers expected in flight Commercialization in Space Changing Boundaries and Future Promises ANTHONY L. VELOCCI, JR The idea of private endeavor misusing space to assemble and develop flourishing undertakings is the same old thing. It has been around since 1965. Today, the business usage of room is a fundamental part of broadcast communications, money related markets, and a large group of other basic segments. Be that as it may, presently the private divisions association in space is quick drawing nearer another worldview, kindness of a developing number of enterprising pioneers, generally in the United States. They are joining a dream, a can-do soul and shifting degrees of specialized information to set the plan. A couple of them-each a prominent figure in aviation circles who have a reputation of problematic advancements and self-advancement have been guaranteeing for 10 years that business space was on the cusp of another worldview, however it never entirely emerged. That is going to change, and another time in business space is unfolding. This is the decade where doubters will observer different firsts in business space. The Players That the

No semicolon before and or but

Shortcut: semicolon + and/but = wrong   If  you see an answer choice on either the SAT or the ACT that places a semicolon before the word and or but, cross out that answer immediately and move on. Why? Because a semicolon is grammatically identical to a period, and you shouldnt start a sentence with and or but. The slightly longer explanation:  In real life, semicolon usage is a little more flexible, and the choice to use when can  sometimes be more a matter of clarity/style than one of grammar. It is generally considered acceptable to place a semicolon before and or but in order to break up a very long sentence, especially when there are already multiple commas/clauses. For example: Pamela  Meyer, a certified fraud examiner, author, and entrepreneur, became interested in the science of deception  at at business school workshop  during which a professor detailed his findings on behaviors associated with lying; and she subsequently worked with a team of researchers to survey and analyze existing research on deception from academics, experts, law enforcement, the military, espionage and psychology. In the above sentence, either a comma or a semicolon could be used before and. In this case, however, the sentence is so long and contains so many different parts that the semicolon is a logical choice to create stronger break between the parts. Why not just use a period? Well, because a semicolon implies a stronger connection  between the clauses than a period would; it keeps the sentence going rather than marking a full break between thoughts. Again, this is a matter of style, not grammar. The SAT and the ACT, however, are not interested in these details.  Rather, their goal is to check whether you  understand the most common version of the rule. Anything beyond that would simply be too ambiguous.

Quotes From A Tale of Two Cities by Charles Dickens

A Tale of Two Cities is a dense classic, often studied in classrooms. Charles Dickens published the work late in his career as a popular novelist in Victorian England. The backdrop of A Tale of Two Cities is the French Revolution; and a whole myriad of colorful characters are in attendance (as is usual for the works of Charles Dickens). Here are a few quotes from the literary master. Quotes from Book 1 It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way--in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.- Charles Dickens, A Tale of Two Cities, Book 1, Chapter 1Jerry, say that my answer was, RECALLED TO LIFE.- Charles Dickens, A Tale of Two Cities, Book 1, Chapter 2Eighteen years! Gracious Creator of day! To be buried alive for eighteen years!- Charles Dickens, A Tale of Two Cities, Book 1, Chapter 3She had laid her head upon my shoulder, that night when I was summoned out--she had a fear of my going, though I had none--and when I was brought to the North Tower they found these upon my sleeve. You will leave me them? They can never help me to escape in the body, though they may in the spirit. Those words I said. I remember them very well. - Charles Dickens, A Tale of Two Cities, Book 1, Chapter 6If, when I tell you, dearest dear, that your agony is over, and that I have come here to take you from it, and that we go to England to be at peace and at rest, I cause you to think of your useful life laid waste, and of our native France so wicked to you, weep for it, weep for it! And if, when I shall tell you of my name, and of my father who is living, and of my mother who is dead, you learn that I have to kneel to my honoured father, and implore his pardon for never having for his sake striven all day and lain awake and wept all night, because the love of my poor mother hid his torture from me, weep for it, weep for it! Weep for her, then, and for me! Good gentlemen, thank God! I feel his sacred tears upon my face, and his sobs strike against my heart. O, see! Thank God for us, thank God! - Charles Dickens, A Tale of Two Cities, Book 1, Chapter 6All through the cold and restless interval, until, dawn, they once more whispered in the ears of Mr. Jarvis Lorry--sitting opposite the buried man who had been dug out, and wondering what subtle powers were forever lost to him, and what were capable of restoration--the old inquiry: I hope you care to be recalled to life?- Charles Dickens, A Tale of Two Cities, Book 1, Chapter 6 Quotes from Book 2 But indeed, at that time, putting to death was a recipe much in vogue with all trades and professions, and not least of all with Tellsons. Death is Natures remedy for all things, and why not Legislations? Accordingly, the forger was put to Death; the utterer of a bad note was put to Death; the unlawful opener of a letter was put to Death; the purloiner of forty shillings and sixpence was put to death; the holder of a horse at Tellsons door, who made off with it, was put to Death; the coiner of a bad schilling was put to Death; the sounders of three-fourths of the notes in the whole gamut of Crime, were put to Death. Not that it did the least good in the way of prevention--it might almost have been worth remarking that the fact was exactly the reverse--but, it cleared off (as to this world) the trouble of each particular case, and left nothing else connected with it to be looked after.- Charles Dickens, A Tale of Two Cities, Book 2, Chapter 1I wont be gone again, in this manner. I am as rickety as a hackney-coach, Im as sleepy as laudanum, my lines is strained to that degree that I shouldnt know, if it wasnt for the pain in em, which was me and which was somebody else, yet Im none the better for it in pocket; and its my suspicion that youve been at it from morning to night to prevent me from being better for it in the pocket, and I wont put up with it, Aggerawayter, and what do you say now! - Charles Dickens, A Tale of Two Cities, Book 2, Chapter 1Waste forces within him, and a desert all around, this man stood still on his way across a silent terrace, and saw for a moment, lying in the wilderness before him, a mirage of honorable ambition, self-denial, and perseverance. In the fair city of this vision, there were airy galleries from which the loves and graces looked upon him, gardens in which the fruits of life hung ripening, waters of Hope that sparkled in his sight. A moment, and it was gone. Climbing to a high chamber in a well of houses, he threw himself do wn in his clothes on a neglected bed, and its pillow was wet with wasted tears.- Charles Dickens, A Tale of Two Cities, Book 2, Chapter 5I have sometimes sat alone here of an evening, listening, until I have made the echoes out to be the echoes of all the footsteps that are coming by and by into our lives.- Charles Dickens, A Tale of Two Cities, Book 2, Chapter 6There is a great crowd coming one day into our lives, if that be so.- Charles Dickens, A Tale of Two Cities, Book 2, Chapter 6What a night it has been! Almost a night, Jerry, to bring the dead out of their graves.- Charles Dickens, A Tale of Two Cities, Book 2, Chapter 6It is extraordinary to me that you people cannot take care of yourselves and your children. One or the other of you is forever in the way.- Charles Dickens, A Tale of Two Cities, Book 2, Chapter 7I know it all, I know it all. Be a brave man, my Gaspard! It is better for the poor plaything to die so, than to live. It has died in a moment without pain. Could it have lived an hour as happily? - Charles Dickens, A Tale of Two Cities, Book 2, Chapter 7Repression is the only lasting philosophy. The dark deference of fear and slavery, my friend, will keep the dogs obedient to the whip, as long as this roof shuts out the sky, - Charles Dickens, A Tale of Two Cities, Book 2, Chapter 9Good-night! I look to the pleasure of seeing you again in the morning. Good repose! Light Monsieur my nephew to his chamber there! And burn Monsieur my nephew in his bed, if you will. - Charles Dickens, A Tale of Two Cities, Book 2, Chapter 9There is no harm at all done. I have not proposed to the young lady, and, between ourselves, I am by no means certain, on reflection, that I ever should have committed myself to that extent. Mr. Lorry, you cannot control the mincing vanities and giddiness of empty-headed girls; you must not expect to do it, or you will always be disappointed. Now, pray say no more about it. I tell you, I regret it on account of others, but I am satisfied on my own account. And I am really very much obliged to you for allowing me to sound you, and for giving me your advice; you know the young lady better than I do; you were right, it never would have done. - Charles Dickens, A Tale of Two Cities, Book 2, Chapter 12The time will come, the time will not be long in coming, when new ties will be formed about you--ties that will bind you yet more tenderly and strongly to the home you so adorn--the dearest ties that will ever grace and gladden you. O Miss Manette, when the little picture of a happy fathers face looks up in yours, when you see your own bright beauty springing up anew at your feet, think now and then that there is a man who would give his life, to keep a life you love beside you! - Charles Dickens, A Tale of Two Cities, Book 2, Chapter 13But, there were other echoes, from a distance, that rumbled menacingly in the corner all through this space of time. And it was now, about little Lucies sixth birthday, that they b egan to have an awful sound, as of a great storm in France with a dreadful sea rising. - Charles Dickens, A Tale of Two Cities, Book 2, Chapter 21Seven prisoners released, seven gory heads on pikes, the keys of the accursed fortress of the eight strong towers, some discovered letters and other memorials of prisoners of old time, long dead of broken hearts--such, and such-like, the loudly echoing footsteps of Saint Antoine escort through Paris streets in mid-July, one thousand seven hundred and eighty-nine. Now, Heaven defeat the fancy of Lucie Darnay, and keep these feet far out of her life! For, they are headlong, mad, and dangerous; and in the years so long after the breaking of the cask at Defarges wine-shop door, they are not easily purified when once stained red. - Charles Dickens, A Tale of Two Cities, Book 2, Chapter 21From such household occupations as their bare poverty yielded, from their children, from their aged and their sick crouching on the bare ground famished and na ked, they ran out with streaming hair, urging one another, and themselves, to madness with the wildest cries and actions. Villain Foulon taken, my sister! Old Foulon taken, my mother! Miscreant Foulon taken, my daughter! Then, a score of others ran into the midst of these, beating their breasts, tearing their hair, and screaming, Foulon alive! Foulon who told the starving people they might eat grass! Foulon who told my old father that he might eat grass, when I had no bread to give him! Foulon who told my baby it might suck grass, when these breasts were dry with want! O mother of God, this Foulon! O Heaven, our suffering! Hear me, my dead baby and my withered father: I swear on my knees, on these stones, to avenge you on Foulon! - Charles Dickens, A Tale of Two Cities, Book 2, Chapter 22For scores of years gone by, Monseigneur had squeezed and wrung it, and had seldom graced it with his presence except for the pleasures of the chase--now, found in hunting the people; now, found in hunting the beasts, for whose preservation Monseigneur made edifying spaces of barbarous and barren wilderness. No. The change consisted in the appearance of strange faces of low caste, rather than in the disappearance of the high-caste, chiseled, and otherwise beatified and beatifying features of Monseigneur. - Charles Dickens, A Tale of Two Cities, Book 2, Chapter 23For the love of Heaven, of justice, of generosity, of the honour of your noble name, I supplicate you, Monsieur heretofore the Marquis, to succour and release me. My fault is that I have been true to you. Oh, Monsieur heretofore the Marquis, I pray you be true to me! - Charles Dickens, A Tale of Two Cities, Book 2, Chapter 24The Loadstone Rock was drawing him, and he must sail on, until he struck. He knew of no rock; he saw hardly any danger. The intention with which he had done what he had done, even although he had left it incomplete, presented it before him in an aspect that would be gratefully acknowledged in Franc e on his presenting himself to assert it. Then, that glorious vision of doing good, which is so often the sanguine mirage of so many good minds, arose before him, and he even saw himself in the illusion with some influence to guide this raging Revolution that was running so fearfully wild. - Charles Dickens, A Tale of Two Cities, Book 2, Chapter 24 Quotes From Book 3 Five paces by four and a half, five paces by four and a half, five paces by four and a half. He made shoes, he made shoes, he made shoes. The ghosts that vanished when the wicket closed. There was one among them, the appearance of a lady dressed in black, who was leaning in the embrasure of a window, and she had a light shining upon her golden hair, and she looked like...Let us ride on again, for Gods sake, through the illuminated villages with the people all awake! - Charles Dickens, A Tale of Two Cities, Book 3, Chapter 1The wives and mothers we have been used to see since we were as little as this child, and much less, have not been greatly considered? We have known their husbands and fathers laid in prison and kept from them, often enough? All our lives, we have seen our sister-women suffer, in themselves and in their children, poverty, nakedness, hunger, thirst, sickness, misery, oppression and neglect of all kinds? - Charles Dickens, A Tale of Two Cities, Book 3, Chapter 3It wa s the popular theme for jests; it was the best cure for headache, it infallibly prevented the hair from turning grey, it imparted a particular delicacy to the complexion, it was the National Razor which shaved close: who kissed La Guillotine, looked through the little window and sneezed into the sack. It was the sign of the regeneration of the human race. It superseded the Cross. Models of it were worn on breasts from which the Cross was discarded, and it was bowed down to and believed in where the Cross was denied. - Charles Dickens, A Tale of Two Cities, Book 3, Chapter 4I call myself Samson of the firewood guillotine. See here again! Loo, loo, loo; Loo, loo, loo! And off her head comes! Now, a child. Tickle, tickle; Pickle, pickle! And off its head comes! All the family! - Charles Dickens, A Tale of Two Cities, Book 3, Chapter 5I am the resurrection and the life, saith the Lord: he that believeth in me, though he were dead, yet shall he live: and whosoever liveth and believeth in me, shall never die. - Charles Dickens, A Tale of Two Cities, Book 3, Chapter 9If it had pleased God to put it in the hard heart of either of the brothers, in all these frightful years, to grant me any tidings of my dearest wife--so much as to let me know by a word whether alive or dead--might have thought that He had not quite abandoned them. But, now I believe that the mark of the red cross is fatal to them, and that they have no part in His mercies. And them and their descendants, to the last of their race, I, Alexandre Manette, unhappy prisoner, do this last night of the year 1767, in my unbearable agony, denounce to the times when all these things shall be answered for. I denounce them to Heaven and to earth. - Charles Dickens, A Tale of Two Cities, Book 3, Chapter 10Then tell the Wind and Fire where to stop, but dont tell me. - Charles Dickens, A Tale of Two Cities, Book 3, Chapter 12If you remember the words that passed between us, long ago, you will readily comprehend this when you see it. You do remember them, I know. It is not in your nature to forget them. I am thankful that the time has come, when I can prove them. That I do so is no subject for regret or grief. If it had been otherwise, I never should have used the longer opportunity. If it had been otherwise - Charles Dickens, A Tale of Two Cities, Book 3, Chapter 13It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known. - Charles Dickens, A Tale of Two Cities, Book 3, Chapter 15

The Implications Of Religion During The Victorian Era

Darren Padarat Ms. Conway English/Period 5 6-10-15 The Implications of Religion during the Victorian Era The implications of religion during the Victorian Era allowed for the existence of a society that would be considered controversial when compared to the type of social world we live in today. The people of the Victorian era held religion so dear to them that it affected gender roles, dress, and overall behavior to the point that we are now left to interpret whether the â€Å"proper† standards of living at the time were reasonable, or just a result of a fervent devotion to religion. It’s difficult to understand the reason why certain traditions were followed during the Victorian Era, without taking into consideration the religious reasoning behind it. Out of all the influences that Victorian tradition consists of religion, perhaps is the greatest determining factor in analyzing why this certain conduct was considered normal and just, mainly because a number of sins were sought to be avoided out of the fear of the supernatural, or a holy power. The goal of this research i s to present the cause of certain trends during the Victorian Era as a result of religion and to show how greatly this deviates from the common trends in today’s society. Evaluating religion during the Victorian Era may also be helpful in explaining why social interactions in modern time differ so greatly from that of the past. Initially, when delving into the topic ofShow MoreRelatedThe Period Of Victorian Times3057 Words   |  13 Pages Late-Victorian civilians had no hope or faith left by the end of Queen Victoria’s reign. 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John Berger and History Essay Example For Students

John Berger and History Essay In his first essay of Ways of Seeing, John Berger claims that all power, authority, and meaning that was once held by an original work of art has been lost through the mass reproduction of these works that has occurred in recent years. He writes of an entirely bogus religiosity (116-117) that surrounds these art objects and that the meaning of the original work no longer lies in what it uniquely says but in what it uniquely is (117). He claims that because of reproduction, the art of the past no longer exists as it once did (127). Obviously, something created hundreds of years ago is not the same as it once was, but the distribution of art and music to the general public has had a positive effect on society rather than a negative one. Works of art have even more meaning than they had when first created through the interpretations offered them by generations of critics and artists. Fresh new sources have been given the ability to offer their insight and abilities into art, creating entire new genres of art, music, theatre, and the like. It has allowed for a truer search for knowledge than was ever possible before. And ultimately, the search to find the true meaning of art and of the ideas of the artists forms a true sense of religiosity, which gives passion and meaning to the lives of groups stretching far beyond the cultural elite. An example that Berger uses to illustrate his points is that of a filmmaker who uses images in film. Berger states that Awhen a painting is put to use, its meaning is either modified or totally changed (120) and when a painting is reproduced by a film camera it inevitably becomes material for the film-makers argument (121). He concludes from this that only the original painting holds integrity while the image shown on film is an expression of the film-makers argument. However, this idea furthers the meaning of the painting by adding connotations to the one the artist intended. When an artist creates a painting, he or she hopes for this work to be critiqued and interpreted by others. These critiques and interpretations add to the full meaning of the work for everyone seeing it afterwards. Thus, we undermine the true meaning of the work by saying it can only mean what the artist originally meant it to, because this is something we can never know. The viewer should determine the value and meaning of each painting. The paintings surround us in the same way as a language surrounds us. They have entered the mainstream of life over which they no longer, in themselves, have power (126-127). Images do possess power, however, and possibly even more so than in the past. Much of this power does exist in modern connotations placed on artworks, but the original work in itself still possesses power as well. When Berger makes his arguments, he bases them on the idea that the actual painting hanging on a wall in a museum is the original conception of any work of art. Nevertheless, it seems that actually even these are copies or reproductions of the original ideas in the artists mind. When one thinks of the original work in this way, it really surrounds the works with a true sense of religiosity. This is because we know that the original can never be attained. Berger argues that the spiritual value of an object can only be explained in terms of magic or religion, and since in modern society neither of these is a living force, the art object, the work of art, is enveloped in an atmosphere of entirely bogus religiosity (117). .u23444867708bb1b07d045f8de507e2e6 , .u23444867708bb1b07d045f8de507e2e6 .postImageUrl , .u23444867708bb1b07d045f8de507e2e6 .centered-text-area { min-height: 80px; position: relative; } .u23444867708bb1b07d045f8de507e2e6 , .u23444867708bb1b07d045f8de507e2e6:hover , .u23444867708bb1b07d045f8de507e2e6:visited , .u23444867708bb1b07d045f8de507e2e6:active { border:0!important; } .u23444867708bb1b07d045f8de507e2e6 .clearfix:after { content: ""; display: table; clear: both; } .u23444867708bb1b07d045f8de507e2e6 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u23444867708bb1b07d045f8de507e2e6:active , .u23444867708bb1b07d045f8de507e2e6:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u23444867708bb1b07d045f8de507e2e6 .centered-text-area { width: 100%; position: relative ; } .u23444867708bb1b07d045f8de507e2e6 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u23444867708bb1b07d045f8de507e2e6 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u23444867708bb1b07d045f8de507e2e6 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u23444867708bb1b07d045f8de507e2e6:hover .ctaButton { background-color: #34495E!important; } .u23444867708bb1b07d045f8de507e2e6 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u23444867708bb1b07d045f8de507e2e6 .u23444867708bb1b07d045f8de507e2e6-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u23444867708bb1b07d045f8de507e2e6:after { content: ""; display: block; clear: both; } READ: Changes to the Bill of Rights Essay The attempt to attain what the original idea was is one of religion, nonetheless, because it cannot ever be truly experiencedthe idea is always on a higher lever than human understanding. Thus, the spiritual value that exists within every work of art is a religious experience, and one that is truly religious. Berger seems to hold somewhat of an elitist view when it comes to art, and he clearly thinks that now that the masses have access to art and culture, that the obscure value of the works and the authority it held is now gone. Clearly, then, when he uses the word history throughout this essay, he establishes the effect the context of a painting has (i. e. how our perception is influenced). In using that word, he is referring to the social exploitation of the past: how the rich were painted, patronizing poor artists (i.e. Hals), and in this fashion demonstrating the monopoly the wealth and upper class had on the arts. To support his argument, he writes that reproduction is used all the time to promote the illusion that nothing has changed except that the masses, thanks to reproduction, can now begin to appreciate art as the cultured minority once did. Understandably, the masses remain uninterested and skeptical (127). He claims that the masses dont appreciate the art because it is not a part of their history. It seems that because of this, however, the art has not really lost any integrity anyway. The only change is that now, anyone who wishes to access it is able to, but it still holds an esoteric quality that the cultural elite can enjoy. Berger shows that the majority of the population does not attend museums. Does not this give them power that the rich can still enjoy, while making it possible for the masses to experience as well if they want to? Reproduction has opened the lines of education of culture as well. Before reproduction, the rich were the only ones who owned art, attended the opera, and the like, but it is probable that these people only attended these functions to show off their wealth, without really knowing or caring about the subject. Now, while the rich can continue to be members of museums and theaters and drop their superficial knowledge to show how cultured they are, students can learn about the true meaning of the works and express the true religiosity toward it by attempting to realize what the artist had in mind when creating it. It is not just the rich children anymore who can become artists, musicians, actors, and the like. The fact of the matter is that culture of this type has maintained its power and authority, so that it is still mainly a status symbol for the rich, but yet it allows the middle class to enjoy the meaning and power of the art as well. The way we see has many shades of illumination, and many ways of coloring the world. The sense residing at the top of our bodies is not always linked directly to the brain, but quite often threaded to the lower extremities. They also deal in depth with the broader aspect of social exploitation, through publicity. We are assaulted and seduced without any hope of protection, by so many great and familiar works, that we can not hope, to not see, just one that has not touched us in the past. We remember that touch, and now Mr. Berger tells us why, we felt the way we did. The camera changed the world of art, and brought art to the world in general, where as Art was for the most part the property of the rich. Photography came at a time when socialistic change was sweeping the autocratic cobwebs from the world, and brought illumination to the common men and women. .u380d42eec3822b10d50059d04443370f , .u380d42eec3822b10d50059d04443370f .postImageUrl , .u380d42eec3822b10d50059d04443370f .centered-text-area { min-height: 80px; position: relative; } .u380d42eec3822b10d50059d04443370f , .u380d42eec3822b10d50059d04443370f:hover , .u380d42eec3822b10d50059d04443370f:visited , .u380d42eec3822b10d50059d04443370f:active { border:0!important; } .u380d42eec3822b10d50059d04443370f .clearfix:after { content: ""; display: table; clear: both; } .u380d42eec3822b10d50059d04443370f { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u380d42eec3822b10d50059d04443370f:active , .u380d42eec3822b10d50059d04443370f:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u380d42eec3822b10d50059d04443370f .centered-text-area { width: 100%; position: relative ; } .u380d42eec3822b10d50059d04443370f .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u380d42eec3822b10d50059d04443370f .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u380d42eec3822b10d50059d04443370f .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u380d42eec3822b10d50059d04443370f:hover .ctaButton { background-color: #34495E!important; } .u380d42eec3822b10d50059d04443370f .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u380d42eec3822b10d50059d04443370f .u380d42eec3822b10d50059d04443370f-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u380d42eec3822b10d50059d04443370f:after { content: ""; display: block; clear: both; } READ: Stem Cell Debate Essay Later, as the levels of property increased, in our corner of the world, color photography blended into our life, through publicity and advertising. In Bergers view Art is a way to display possession, and in the rarer form, to present a question of existence. Other than the most exceptional works, the patrons use artists to catalogue their possessions, including their women. Glamour is a modern invention birthed by advertising. It revolves around the unattainable future of what we could have, and is empowered by envy. Ultimately, Berger claims that the sublime quality of art has been transformed into simple information through reproduction, when in reality; this type of culture has always been about information. Through reproduction, we can strive for a truer sense of information, in reaching the true meaning of art rather than using the information for a sign of status. It is no longer a matter just of knowing of art and culture; it is a matter of knowing about it. The available levels of information have increased, and have allowed more people to experience a true sense of religiosity toward art, music, and other culture than was ever previously possible. Rather than ruining the integrity and credibility of culture by offering it to the masses, it remains a symbol of status and power for those who wish to use it as such, and has become a source for passion and knowledge for others. It has also allowed new ideas and insight to these fields from non-traditional sources. Finally, instead of taking away from the meaning of original works of art, reproduction has added to it. Berger, John. Ways of Knowing. New York: Penguin Inc. 1998

Pantheon Essays (1897 words) - Domes, Pantheon, Rome,

Pantheon I chose to report on the pantheon because I've seen pictures and I am also very fascinated by all the Roman monuments. I looked all around the internet and libraries. The Pantheon was very hard to find information about. It was very challenging but I found enough information to complete this report. This famous building stands in the business district of Romemuch as it was built some 18 centuries ago. Amazingly, it has withstood the ravages of both the elements and war permitting a firsthand view of a unique product constructed by Roman hands. Now, it is exposed to acid rain and fumes from passing automobiles and overshadowed by buildings of inferior taste; but, with trust in the future, the Pantheon will survive. Unrecognized, the design of this ancient concrete building reveals unparalleled features not encountered in modern design standards. Recent studies reveal several major cracks in the dome, but it still functions unimpaired. This condition will surely excite the curiosity of our structural engineers. The building was built entirely without steel reinforcing rods to resist tensile cracking, so necessary in concrete members, and for this concrete dome with a long span to last centuries is incredible. Today, no engineer would dare build this structure without steel rods! Modern codes of engineering practice would not permit such mischief. No investor with knowledge of concrete design would provide the funding. Additional constraints when attempting to build a structure as large as the Pantheon will be discussed later, but briefly they include the use of inadequate hand tools and unsafe lifting devices. I believe we can learn from this activity. Workers can build from a plan and can successfully use their proven practices only if construction quality controls are maintained. History tells us that the Pantheon is a Greek word meaning to honor all Gods (particularly the Olympian divinities). It is ironic that our building has existed throughout many wars while being dedicated to all Gods; one can readily perceive this to be a temple for our one God. And, the Church has claimed this holy structure as a resting place for its most famous Popes, so we continue to honor its magnificent divinity. The first incarnation of this ancient temple was built by Agrippa, the son-in-law of the Roman Emperor Augustus, about 27 B.C. Today, above the entrance carved in stone are the words "M. AGRIPPA L. F. COS. TERTIUM FECIT" which is translated, "Marcus Agrippa, son of Lucius, in his third consulate, made it." Indeed, it is worth mentioning that Agrippa's engineering talents were used in building the famous Pont de Gard aqueduct in France. As with many cities, tragedy in the form of large fires such as those of 60, 64, 79, 100 and 110 A.D. seemed to strike Rome. Originally, many Roman buildings contained travertine (limestone rock) which easily cracked in fires. The first Pantheon was severely damaged and required replacement except for some parts of the lower porch section and foundation. The Pantheon was rebuilt by the Emperor Hadrian during the period 118 to 128 A.D. (a time given by Ward-Perkins).2 But the Ward-Perkins's period is disputed by, Lugli who said the building was started sometime after 123 A.D. and was finished by Emperor Pius about 140 A.D.3 However, most of the bricks were made and placed in the Pantheon in 123 A.D., a date that the maker stamped on his bricks. This was discovered in 1892 by the French archaeologist, George Chedanne. It appears the construction of the rotunda walls took a period of 4 to 5 years, and the dome required a like period because of its height and the meager tools the Romans used. This long construction period was fortunate as it gave this pozzolan concrete ample time to cure and gain strength. Was the second temple like the first? Yes, the fundamental principle of the old Roman religion required that the temples be rebuilt without changes in original form. Tradition required that the main entrance face north, and thus the whole building was oriented on the north-south axis of the building. A description of its structural features is separated into the configuration, foundation ring, circular walls, and dome to more clearly define various components. How these pieces are unique in view of today's design requirements will be discussed shortly. Body The Pantheon is one of the great spiritual buildings of the world. It was built as a Roman temple and later consecrated as a Catholic Church. Its monumental porch originally faced a rectangular colonnaded temple courtyard and now enfronts the smaller Piazza della Rotonda.